Discovering Hzing: Pswagi Temahahoi (2022) is part of Ciwas Tahos’ ongoing project Finding Pathways to Temahahoi, first conceived in 2020. The project centers on Temahahoi, an Atayal oral story of a “women’s village” inhabited solely by women and gender-diverse people. Its residents communicate with bees that protect them from outsiders. They sustain themselves on steam and smoke, and become impregnated by sunbathing on rocks while allowing the wind to enter them. For Ciwas, Temahahoi is a space of queer historical knowledge and ongoing resistance. The survival of this mystical place depends on the health of the natural ecosystem—both a warning and a prophecy. Here, the bee is not a metaphor but a political entity: a non-human ally that guards the community from intrusion. The wind is not a poetic image but a symbol of reproductive autonomy. In Atayal, Pswagi Temahahoi is composed of three parts: P signals the future, S marks the instrumental form, and wagi means “sun”, with pswagi casting light as an instrument and foreshadowing an imminent unfolding through light and shadow. Discovering Hzing: Pswagi Temahahoi (2022) is an experimental documentary video work that follows the path taken by Atayal Elder Yumin, who uses pswagi, to trace the locations of wild bees. Alongside, a performance piece with Ciwas’ self-invented ceramic sound sculpture as a way to relocate the space of Temahahoi through collective queer breath. 林安琪延續至今的計畫，探索泰雅族口述傳統中極少被提起的「迭瑪哈霍伊」（Temahahoi，中文常註為「女人社」）：一個僅由女人與性別多元者共同生活的社群。她們能與蜜蜂溝通，蜜蜂保護她們免受外人侵擾；她們以蒸汽與煙霧維生，透過在岩石上沐日光浴、讓風進入身體而受孕。對林安琪而言，這段古老故事是屬於酷兒族群的空間，是深林中避開異性戀本體空間的避居地——而它的生存依賴自然生態的維持，這既是警示，也是預言。蜜蜂在此不是隱喻，而是政體：一個保衛社群免受外人侵擾的非人盟友；風不是詩意，而是生殖自主。 Pswagi Temahahoi——泰雅族語中，P 表示未來，S 是工具格字根，Wagi 是太陽。合起來，「Pswagi」隱含透過光作為工具，因為帶有未來式，它指向準備利用「光影」作為工具、即將發生的事情。 《Discovering Hzing: Pswagi Temahahoi》（2022）是一件實驗性紀錄片，藝術家跟隨泰雅族耆老 Yumin 的 pswagi 知識技術去尋找野生蜂蜜的位置；這個搜尋的過程在作品裡被轉換成去尋找已經被遺忘的 Temahahoi 的路徑。對照這段跨世代知識傳遞的紀錄，林安琪以自製的陶製聲音雕塑進行表演，透過集體酷兒呼吸，重新定位迭瑪哈霍伊的空間。自製陶製樂器作為招喚 Temahahoi 的聲譜，試圖重新尋找一個沒有具體座標的位置。