Only image-recording apparatus can see things by zooming in or out. It creates a “fictional sense of distance” that is detached from people’s position, distance, and perspective in space. In the wide-angle shot, people seemingly get far away from nearby object, indulging in the fictional wide space and alienation. In the telephoto shot, we appear to be watching and peeping closely without the danger of close encounters. The image changes our way of looking at the world and reconstructs out perception of reality. It gave us unprecedented freedom with a minor side effect ——— it’s hard to remember where we stand when looking at the world.
Wire IV (2009)
Metal, Glass, Motor
Dimensions Variable (Projector: 40 x 16 x 24 cm)
Text and image courtesy of the artist and the White Rabbit Gallery.
Learn more --
https://whiterabbitcollection.org/exhibition/black-myth/